[00:01.790 --> 00:08.290] Okay, we are going to do an extended experimental version of Weird Pizza. [00:09.990 --> 00:15.510] It's going to take about 3 hours and 12 minutes, so make sure you have some snacks. [00:18.030 --> 00:19.270] You're going to get hungry. [00:19.450 --> 00:20.290] You're going to want pizza. [00:21.070 --> 00:22.330] Maybe order some pizza. [00:23.370 --> 00:27.550] In addition to that, we will also be doing some graphic scores. [00:27.710 --> 00:30.610] We'll be playing some music to videos. [00:30.610 --> 00:34.790] And so this is kind of a... you might call it conceptual. [00:35.370 --> 00:36.110] Conceptual art. [00:36.930 --> 00:44.110] The pieces are branding devolves on the same theme as Weird Pizza, pretty much. [00:45.750 --> 00:51.150] You're going to see some corporate food, and that food will devolve. [00:51.790 --> 00:56.590] And so the musicians have all been asked to... they have not seen this material before. [00:56.890 --> 00:59.890] They've all been asked to take a look at what they're seeing. [01:00.690 --> 01:07.270] React as, you know, as an artist reacts to the images before them. [01:07.650 --> 01:15.130] In this case, they'll be things like Big Macs, cans of Coke, bag of Skittles, some other things. [01:16.270 --> 01:18.430] And let that feeling devolve. [01:18.650 --> 01:23.670] And the process of devolution here is happening through AI. [01:23.670 --> 01:31.090] So it's an iterative process of asking AI to remake the image until it can anymore. [01:31.390 --> 01:38.570] So it's a way of just thinking about consumerism and AI. [01:38.890 --> 01:40.370] I think that's all I have to say. [01:40.510 --> 01:41.130] That's probably too much. [01:41.610 --> 01:43.430] So let's take it away. [01:43.530 --> 01:44.270] They're very short. [01:45.050 --> 01:46.930] Each one is about two or three minutes. [01:47.570 --> 01:49.770] And then we'll do a longer piece after that. [01:50.070 --> 01:51.710] So thank you for sticking around. [01:51.890 --> 01:53.170] We're excited to play for you. [05:45.960 --> 05:47.140] Let's go. [05:48.000 --> 05:49.160] Let's go. [06:08.300 --> 06:09.540] Let's go. [06:09.540 --> 06:10.720] Here we go. [06:39.540 --> 06:43.320] This is the second one. [11:50.890 --> 11:52.550] And this is the second one. [11:59.470 --> 12:28.020] A little pause... and we are back. [12:28.040 --> 12:28.740] So... [14:13.500 --> 14:30.650] The first sentence is the first sentence. [18:15.570 --> 18:18.370] And this is the second one. [18:28.410 --> 18:29.810] A [18:35.400 --> 18:52.400] little pause... [20:27.240 --> 20:28.640] This is the second sentence I was [20:58.460 --> 20:58.560] This is the first sentence. [20:58.640 --> 21:01.060] Ah, ah, ah, ah, ah! [21:33.760 --> 21:58.240] A little pause... [22:47.920 --> 22:48.300] and we are back. [23:15.060 --> 23:16.940] And this is the second one. [29:56.740 --> 30:00.660] As you can see, I turn to face the audience's keynote to the next set. [30:02.000 --> 30:03.880] So now the other three of us. [30:04.560 --> 30:06.580] That was Jess Rowland, who just walked on stage. [30:09.640 --> 30:11.060] This is Meg Shadell. [30:12.940 --> 30:14.580] This is Martin Vesey. [30:15.440 --> 30:15.920] It [30:21.990 --> 30:24.910] would be like 15 more minutes of kind of interactive improv. [30:25.550 --> 30:33.350] That would be... it would be nice, not absolutely necessary, but it's a little bit more on stage. [30:34.770 --> 30:35.870] Thank you. [30:36.390 --> 30:37.550] More eyes. [30:40.070 --> 30:41.270] To match our... [30:41.270 --> 30:42.150] Thank you. [30:42.430 --> 30:43.550] We did say... [30:43.550 --> 30:44.690] We did say... [30:47.630 --> 30:48.490] It's... [30:48.490 --> 30:49.270] It's... [30:51.290 --> 30:51.720] It's... [30:52.150 --> 30:52.930] It's... [30:52.930 --> 30:54.050] It's not... [30:54.050 --> 30:54.730] It's not... [30:57.710 --> 30:59.110] It's not... [30:59.110 --> 30:59.550] It's... [32:15.640 --> 32:18.760] You're better for God. [33:05.060 --> 33:05.680] The last sentence with a fourth sentence. [33:05.680 --> 33:05.780] And this sentence would come to theontan, which is silent. [33:05.780 --> 33:05.840] To slow down, it is being said to the third sentence. [33:05.840 --> 33:05.840] And that is a while. [33:06.080 --> 33:11.840] The last sentence would be enough. [33:11.840 --> 33:16.340] And this is the fifth sentence. [33:16.340 --> 33:18.420] They had this straight cut with the ninth multiplet. [33:32.360 --> 33:33.020] We will be able to get a new one moment, just the third sentence. [33:33.120 --> 33:33.360] And now. [34:54.140 --> 34:55.340] We have a sequence of the sentence. [34:55.520 --> 34:58.080] We have a sequence of the sentence. [34:58.080 --> 35:00.440] And [37:20.000 --> 43:04.150] this is the second one. [43:04.170 --> 43:04.290] And [44:07.080 --> 44:50.770] we are back on this part, okay, congratulations. [46:01.880 --> 46:02.000] This is the second one. [46:18.750 --> 46:20.750] Right now!