Jewish movie makers falsify history
761st Tank Battalion |
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One of the more inspired socially progressive ideas
advanced to foster good relations between blacks and Jews was celebrating on film the
liberation of a concentration camp by a black tank battalion, the 761st, during the fading
days of World War II.
The film was titled Liberators,
and originally seen on Nov 9, 1992. Reverend
Jesse Jackson was so taken by the film he
wanted to give a copy to President-elect Clinton. Mr.
Jackson was the driving force behind the screening of the film at the Apollo Theater in Harlem
on December 17. |
Prior to the screening Jack
Newfield, an old line liberal Jew on the New York Post, wrote that he had seen the film twice. Mr.
Newfield lamented the fact that because black troops were in segregated units in General
George Patton's Third Army no reporters witnessed their tanks breaking down the gates of
the death camp.
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What really
offended Mr. Newfield was this gallantry was not even mentioned in the Hollywood film on
Patton's life. |
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Jewish psychology applied to Joe Lewis
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Liberators" showed
Joe Louis knocking out Max Schmeling which to Mr. Newfield suggested that Hitler's
theories of Aryan supremacy had also taken a pounding.[i] Sportswriter
Paul Gallico, when writing before
World War II broke out, remembered Max
as perhaps the most sportsmanlike and decent prizefighter he had known.[ii] |
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Max Schmeling a paratrooper |
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When real war did start,
Mr. Schmeling was a serving German paratrooper and was severely wounded when he jumped
into Crete. " |
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Mr. Louis in the segregated
American army was a non-combatant. Like so many
Americans Mr. Newfield was only too eager to think sports were war. |
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Blacks
and Jews unite When the film was
screened, the audience of 1200 blacks and Jews came to tears. This extravaganza featured a kosher and soul food
banquet afterwards. Many platitudes were
exchanged. The film was shown on public
television the same night.[iii] This public
showing prompted Mr. Newfield to call the night a "spiritual catharsis" for
blacks and Jews.[iv]
What was missing from the film was truth. |
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The
screening had been sponsored by Time-Warner and some rich and influential New Yorkers who
had hoped the film would be an important tool in rebuilding a black-Jewish alliance. The veracity of the film did not concern those who
made it. |
A veteran says " The Jews faked the film " |
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One black man, Mr. E.G. McConnell, had
cooperated with the filmmakers until he came to believe they were faking material. Mr. McConnell admitted he first went to Buchenwald in
1991, not with the 761st Tank Battalion. For this admission Mr. McConnell was labeled brain damaged
from a wound by Nina Rosenblum, who coproduced the film.[v] Mr. McConnell
had his invitation to the showing of the film at the Apollo withdrawn.[vi] Blacks who were
approached to authenticate the film almost to a man decried the film as bogus. |
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Ms. Rosenblum had taken pains to
describe critics of the film as racists who would write blacks out of history. Ever the sanctimonious righteous Jew, she further
insisted that because of military prejudice against Jews and blacks, she did not consult
military historians as their testimony would not be reliable.[vii]
Nina Rosenblum
Obviously, Ms. Rosenblum like so many of her
brethren in New York City had never doubted that truth and moral rectitude were forever to
be hers. The co-host at the screening at the
Apollo, Ms. Peggy Tishman, stated the accuracy of "Liberators" was of no concern
to her. |
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Jews sought dialogue with blacks
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The real need was for a dialogue
between blacks and Jews. She dismissed the
need for honesty in this picture: "There are a lot of truths that are very necessary.
This is not a truth that's necessary". These
arrogant sentiments have been taken as a given by Jews who have dominated American popular
culture. They and their lies are not to be
challenged unless one is willing to be labeled a racist and anti-Semite. They have succeeded beyond their wildest dreams. Their dishonesty and cowardice have diffused
through the entire culture. |
The camp was liberated by 42nd
- ' Rainbow
Division'
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When concentration camps were taken
by advancing Allied forces, very few shots were fired as most Germans had long left
knowing that if they were caught, they most likely would be shot out of hand.[viii] [ix] By February
the tempest had grown so heated about the veracity and intent of the film that Public
Television had withdrawn it from the airwaves pending an investigation into its accuracy. Over six months later the inquiry by Public
Television could find no evidence that blacks had "liberated" the camps. |
The 761st
wasn't near Dauchau
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The 761st was 50 to 55
miles southwest of Buchenwald on April 11, 1945 when that camp was officially entered, and
over the next two days moved farther away. On April
29, 1945 when Dachau was declared liberated, the 761st Tank Battalion
was 70 miles away.[x] |
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The press secretary to David
Dinkins, the black mayor of New York, still maintained that blacks had played an
important part in the liberation of the concentration camps. |
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Holocaust Survivor verifies accounts |
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The winner of
the Nobel Peace Prize, Elie Wiesel had said he had
been freed at Buchenwald by black GIs.[xi] The documentary
had been nominated for an Academy Award. |
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This prolonged dishonesty provoked from Mr. McConnell an
anguished letter where he expressed gratitude that his objections to the truthfulness of
the film had been examined and vindicated. Mr.
McConnell expressed concern that the thoughtless mendacity of the film would detract from
what he considered the honorable truth about his unit's service.
" Black panthers
" unit would be blamed for Jew's dishonesty
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Sadly, he concluded
that his proud unit, the "Black Panthers", would be tarred as the ones who lied
rather than the producers. The national media
had focused on the "liberation" lies while neglecting the true heroism of the
761st Tank Battalion. His unit had served 183
days in the line while in George Patton's Third Army and suffered 50 percent casualties. Mr.
McConnell had been wounded in France.[xii] |
A Jewess
who sees herself as ' Arbiter of Justice'
What would seem obvious later was that honest decent blacks such as Mr. McConnell
had little need for "friends" such as Ms. Rosenblum whose true agenda has not
been to reveal truth, but to portray herself as the arbiter of justice, the
Jewess in all her God given majesty. |
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Site on
Dauchau liberation
In
1992, she was nominated for an Oscar for the
documentary Liberators: Fighting on Two Fronts in World War II and in 1994 she won
an Emmy for The Untold West: The Black West.
[i]. New
York Post, p2, Dec 1, 1992
[ii]. Paul
Gallico, Farewell to Sport, p279 (Knopf, 1941)
[iii]. NYT, p25, Dec 19, 1992
[iv]. New
York Post, p5, Dec 23, 1992
[v]. New Republic, p13-4, Feb 8, 1993
[vi]. New
York Post, p20, Feb 8, 1993
[vii]. Tikkun, p56, May/June 1993
[viii]. New
York Post, p18, Jan 6, 1993
[ix]. NYT, pA28, Apr 20, 1993
[x]. NYT, pB1, Sep 8, 1993
[xi]. New
York Post, p3, Sep 8, 1993
[xii]. New
York Post, p22, Sep 21, 1993
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